At the center of the composition, where Tibetan thangkas often place the axis of becoming, a digital screen hosts an NFT, turning the piece into a living, mutable system. This is not a symbolic gesture but a structural one: the NFT itself circulates on the Ethereum blockchain, binding the work to the very infrastructures of speculation, exchange, and permanence-through-ledger that define our era.

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Part of the series of “contemporary gods,” d_ether collapses the spiritual and the technological into a single form. The piece does not only depict the cycle —it enacts it, pulling the viewer into a circuit where attention, belief, and value become indistinguishable.