Untitled, 2016

This painting builds a fractured environment where multiple visual systems collide. Cartoon like figures, architectural fragments, and abstract geometries coexist without hierarchy, forming a space that feels unstable and constantly shifting.

The composition moves laterally, almost like a sequence or corridor, pulling the viewer through different zones that do not fully resolve into a single perspective. Elements appear cut, displaced, or reassembled, creating tension between flatness and depth.

Gold leaf operates as both background and interruption, breaking continuity and emphasizing the artificial construction of the image. Color is used aggressively, not to describe but to separate, layer, and overload the scene.

The work reflects an early interest in constructing worlds through accumulation and fragmentation, where meaning does not come from a central image but from the interaction between parts.